This selection of Asian photography was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Asian photographers between roughly 1930 and the present. Competition was similarly tough to join this group, with well recognized names like Nobuyoshi Araki, Shin Yanigasawa, Shohei Nishino, Eikoh Hosoe, Miho Kajioka, Pixy Liao, and others ultimately left off the team, but the overall “collection” feels somewhat more uneven than the other three, perhaps in terms ... Read more at Collector Daily.

My first trip to Paris Photo as a photography collector and writer came a decade ago now in 2013, and so aside from the interruptions of the pandemic, I’ve made a decent number of arguably systematic attempts to summarize what can be found in its many booths. Such reports aren’t “reviews” or “criticism” in the traditional sense of those words, but instead edited gatherings of notable pictures, designed to give both the reader from afar and the recently returned attendee a glimpse of what caught my particular eye. Over the years, I have applied several different structured filters to sift ... Read more at Collector Daily.

This is Part 2 of our summary report on Paris Photo 2021, focusing on the booths in Section B of the fair. Part 1 of the report (here) explains the format used in the detailed slideshow below, provides some background for the discussion, and covers Section A of the fair. It is certainly possible to jump directly into any one of these individual reports, but if you want or need a bit more context, return to Part 1 as a starting point.... Read more at Collector Daily.

This is Part 2 (of 5) of our summary report on Paris Photo 2019, focusing on the middle left area of the fair. Part 1 of the survey (here) explains the format used in the detailed slideshow below, and sets the stage for the discussion. So while it is certainly possible to jump directly into any one of these individual reports and start digging, return to the beginning if you want a bit more context.... Read more at Collector Daily.

This is Part 2 (of 5) of our summary report on Paris Photo 2018. Part 1 of the survey (here) explains the format used in the detailed slideshow below. It also offers some introductory thoughts on the fair as a whole. So while it is certainly possible to jump directly into any one of these individual reports and start digging, return to the beginning if you want a bit more context.... Read more at Collector Daily.

The second part of our report on the 2018 AIPAD Photography Show is found below. While it is certainly possible to jump right in, for broader background thoughts on this year’s fair and information on the structure of the slideshows, head back to Part 1 (here).... Read more at Collector Daily.

While it is certainly possible to jump into the middle of our Paris Photo 2016 summary reports and find your way directly to your favorite galleries, starting at the beginning and working through the booths systematically may make the most sense. Part 1 of our report can be found here, and along with one group of booth reports (the center section), it includes some general background on the fair and the outline of the slideshow format. This Part 2 of the report covers the section immediately to the left of the central section, as seen from the main entrance. It might also be ... Read more at Collector Daily.

While it is certainly possible to jump into the middle of our Paris Photo 2015 summary reports and find your way to your favorite galleries, starting at the beginning and working through the booths systematically may make the most sense. Part 1 of our report can be found here, and along with one group of booth reports (the center section), it includes some general background on the fair and the outline of the slideshow format. This Part 2 of the report covers the section immediately to the left of the central section, as seen from the main entrance. It might also be called ... Read more at Collector Daily.

While every section of our exhaustive Paris Photo roundup can be enjoyed on its own, for those that want to start at the beginning or who need some further background on how these slideshows are organized/constructed, the first segment of the survey can be found here. The second, third, and fourth segments are here, here, and here. This section covers the area to the far right of the fair, as seen from the entrance.... Read more at Collector Daily.

While every section of this comprehensive Paris Photo roundup can likely stand on its own, for those that want to start at the beginning, the first portion of the tour (along with an explanation of how the slideshows are organized) can be found here. This section covers the area to the far right of the fair, as seen from the entrance.... Read more at Collector Daily.